Explore Your Creative Universe.
Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5II a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera.
Explore Your Creative Universe.
Meet the LUMIX S5II - beginning of a new phase for LUMIX. With unlimited creative possibilities, these versatile hybrid full-frame mirrorless cameras will help you capture stunning content in any situation.
Phase Hybrid AF
Phase Hybrid AF dramatically improves subject tracking and recognition performance. Check out the video to see what it can do!
Active I.S. Technology
The LUMIX S5II is optimal for shooting video while walking. Check out the video to see what it can do!
A wide variety of video expression options
The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more.
New generation of imaging devices
The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5II is equipped with a new engine.
Designed for durability
A highly versatile and durable HDMI Type A terminal is provided.
A higher grade of visual expression
Enjoy RAW video data output, ProRes recording, All-Intra video, and external USB-SSD recording for professional video production.
Streaming options
Choose your favorite approach: wireless live streaming (RTMP/RTMPS), USB-tethering (RTMP/RTMPS), and wired live streaming (RTP/RTSP).
LUMIX Design philosophy: shaping emotions
The new all-black design of the LUMIX S5IIX is made to encourage the creator to becomes immersed in capturing the subject, oblivious to the tools in use. It’s designed to harmonize with the shooting environment and prevent reflections on the iris or recording media supporting artistic creativity.
A higher grade of visual expression
With the LUMIX S5IIX, recording and playback is supported using an external SSD via USB. In addition, the ability to record ProRes 422 HQ (maximum 1.9Gbps) and 4:2:2 10-bit All-Intra directly to SSDs, which combine portability and high capacity has improved efficiency in data backup and post-processing.
AFC 30fps burst shooting
Thanks to the new sensor’s higher readout speed and new engine’s superior processing power, the LUMIX S5IIX delivers AFC burst shooting using the electronic shutter at 30 frames per second with 24.2-megapixel resolution. The sensor’s higher readout speed also minimizes rolling shutter distortion and captures images too fast for the naked eye to process.
96MP ultra-high-resolution recording
High Resolution Mode allows you to shoot ultra-detailed nature shots with a tripod, as well as other works of art that combine grandeur with precision. The camera automatically captures eight consecutive images while shifting the sensor, and the new engine’s high-speed signal processing smoothly synthesizes them into a 96-megapixel equivalent (12,000 x 8,000-pixel) image. RAW and JPEG file recording during shooting and RAW processing during playback (RAW-to-JPEG conversion) are supported, with quick access via the drive mode dial.
Live View Composite
The camera takes multiple images, creating composite images from only those areas that vary in brightness. This feature is convenient for taking images of the night sky that show the light trails of stars or fireworks. Each time the shutter is operated, a composite image is displayed, allowing users to shoot while confirming the results in real time.
Heat management for unlimited recording time
4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5II’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video).
*The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard.
6K 10-bit recording
With 6K (5952x3968, 3:2), 6K (5952x3136, 17:9) and 5.9K (5888x3312, 16:9) 4:2:0 10-bit 30p/25p/24p modes, the LUMIX S5IIX offers higher resolution and higher bit rates than ever before, and delivers the latest in high image quality, versatility, and expressive range needed for film, TV, and all types of video production.
HFR (high frame rate)
Slow-motion recording, a recent trend in video production, is made possible using FHD 10-bit 120p/100p video recording with audio. Or shoot high-resolution C4K/4K 10-bit (4:3) and 3.3K 10-bit (4:3) video at 48p. You can even shoot double slow-motion video at the cinematic frame rate of 24p. Allows tracking AF during HFR video recording.
Max. 7.5x slow motion and max. 60x quick motion
Offers up to 7.5x super slow-motion (FHD 24p/180fps) video at 10-bit recording. Equipped with Slow & Quick Motion modes, the LUMIX S5IIX lets you easily overcrank or undercrank your video while shooting. With quick motion up to 60x (C4K/4K/FHD 60p/1fps), the S5IIX enables you to create emotional images or smoothly capture dynamic movement too quick for the naked eye.
Anamorphic recording
4:3 aspect ratio anamorphic recording is key to LUMIX's impressive video performance. The LUMIX S5IIX can capture 3.3K (3328x2496) 50p/30p/25p/24p 4:2:0 10-bit video. Designed to accommodate anamorphic lenses in a wide range of magnification rates, including 1.3x, 1.33x, 1.5x, 1.8x, and 2.0x, the S5IIX’s Anamorphic Desqueeze Display function gives you the ability confirm the cinemascope-size image on a monitor while shooting.
4ch audio recording
The LUMIX S5IIX delivers much improved audio recording performance, with 4ch 48kHz or 96kHz 24-bit recording possible* when an XLR microphone adaptor DMW-XLR1 (sold separately) is attached. This LUMIX S5IIX gives you much greater flexibility when shooting outdoors, for example, where multiple audio sources are present, or when recording backup audio. Now also supports 2ch 48kHz 24-bit recording with the built-in mic and 2ch 96kHz 24-bit high-resolution recording* with an external mic (sold separately).
*MOV and ProRes only.
All-Intra video
The ALL-Intra compression method, which allows frame-by-frame decoding/encoding, is ideal for non-linear editing. The LUMIX S5IIX can record at bit rates of up to C4K/4K 800Mpbs.
*Onboard recording at bit rates of up to 800Mpbs is possible, while recording at bit rates above 800Mbps can be done to an external SSD via USB cable.
Apple ProRes codec video
You can record ProRes 422 HQ and ProRes 422 codec videos, the professional industry standard, which deliver high image quality at low compression. This significantly reduces the load on the computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.
The LUMIX S5IIX can record FHD (1920x1080) internally and 5.8K (5776x3056, 17:9), C4K (4096x2160, 17:9) and 3.3K (3328x2496, 4:3) to an external SSD via USB.
•Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.
Go live anytime, anywhere
Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.
・Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ・Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ・A commercially available USB ethernet adaptor is required to convert the DC-S5IIX's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html
Wireless live streaming / USB-tethering (RTMP/RTMPS)
Enjoy creative live streaming with digital single lens mirrorless cameras, both indoors and outdoors. Live streaming (RTMP/RTMPS protocol) can be easily configured via the LUMIX Sync app (Android / iOS). In environments with a lot of radio interference, stable communication speed can be ensured by tethering the camera via USB to a smartphone.
・Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ・Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ・Android and Google Play are trademarks or registered trademarks of Google Inc.
・IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
Wired live streaming (RTP/RTSP)
Enjoy highly stable communication via IP streaming (RTP/RTSP) over a wired LAN connection in indoor environments. Connecting cameras and PCs via wired LAN cable, multiple cameras can be controlled for delivery of high-quality video and audio up to 4K 60p/50p. H.264 and H.265 codecs are selectable.
*A commercially available USB ethernet adaptor is required to convert the DC-S5IIX's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html
Phase Hybrid AF for aggressive shooting
The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments.
779-point AF
The number of AF points has been increased to 779. The improved tracking performance allows the camera to continue to capture even small subjects that are easily out of focus. Even when using 1-Area AF, the AF frame can be set as small as pinpoint level, helping the creator focus on the subject as intended.
AI-based recognition technology
Deep Learning technology enables high-speed, high-precision recognition and tracking of humans (face, eyes, heads, and bodies) and animals (dogs, cats, and birds).
6.5-stop Dual I.S. 2 (Image Stabilizer)
5-axis Dual I.S. 2 (Image Stabilizer) combines control of the B.I.S. and Lens O.I.S. to offer 6.5 stops’ worth of correction.*
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]
Great for shooting as you walk: Active I.S. Technology
New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems.
LUMIX has long supported hand-held shooting with B.I.S. and 5-Axis Dual I.S.2, and now the LUMIX S5IIX is equipped with Active I.S., which supports walking shots, to further enhance image stabilization in video recording. By determining the status of camera shake and optimizing correction ratios, the system can compensate for even significant camera shake, approximately 200%* more than conventional systems.
*Compared with LUMIX S5. Focal length 20mm, when using S-R2060.
The LUMIX commitment to superior image quality
The new engine delivers more true-to-life colors, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas.
24.2MP CMOS sensor with Dual Native ISO technology
Whether you are taking stills or shooting video, the LUMIX S5II delivers uncompromising image quality, combining high resolution and a Phase Detection AF. Moreover, utilizing Dual Native ISO technology familiar to users of Panasonic Varicam models for professionals, the S5II leverages a dual-base ISO setting to minimize noise and maximize image quality from low to high sensitivity. This feature teams up with a new engine to deliver maximum ISO 51200 / Extended ISO 204800 for minimal noise at high sensitivity and beautiful expression of dark areas in the frame. Whenever professional-level low-light shooting is required, the LUMIX S5II is ready for action.
Next-generation engine
The new engine delivers approximately twice the processing power as before, enabling high-speed processing of higher-resolution, higher bit-rate video. It is equipped with technology invested and developed jointly by LEICA and LUMIX. Combination of the new sensor and engine achieves both Phase Detection AF and high image quality for photos and videos.
14+ stops of V-Log and V-Gamut "VariCam Look"
Offering compatibility with Cinema VariCam Look, 14+ stops of dynamic range, and a very wide color spectrum, V-Log and V-Gamut come preinstalled. Users will enjoy impressively accurate color reproduction, subtle gradations from dark areas to highlights, and precise control of color data in post-production. The end result is more creative and satisfying color expression. Moreover, footage shot with the LUMIX S5II can be seamlessly edited with footage shot with VariCam cameras.
The V-Log of the LUMIX S5II offers 14+ stops of dynamic range, which covers the PQ requirement of HDR, while V-Gamut covers the full HDR color spectrum, giving users access to HDR shooting wherever, whenever.
RAW video data output (optional)
The Upgrade Software Key DMW SFU2 (sold separately) and LUMIX S5II firmware upgrade* enable the output of maximum 29.97p 5.9K (5888x3312, 16:9) / 59.94p 4.1K (4128x2176, 17:9) and 3.5K (3536x2656, 4:3) 12 bit RAW video data over HDMI to be recorded on the Atomos Ninja V+ HDR monitor recorder.
*Firmware update scheduled for summer 2023. ・ATOMOS HDMI field monitor/recorder "Ninja V+". ・Selectable recording mode depends on the firmware version of ATOMOS Ninja V+. ・Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+. ・All functions may not be available depending on the situation.
Easy color grading with REAL TIME LUT
LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want.
IMAGING
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Sensor Type
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Capture Type
Stills & Video
EXPOSURE CONTROL
Shutter Type
Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed
Mechanical Shutter
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
Up to 30 Minutes in Bulb Mode
1/8000 to 60 Seconds Up to 60 Seconds in Bulb Mode
Bulb/Time Mode
Bulb Mode, Time Mode
ISO Sensitivity
Photo/Video
100 to 51,200 (Extended: 50 to 204,800)
Metering Method
Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
Metering Range
0 to 18 EV
White Balance
2500 to 10,000K
Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting
Mechanical Shutter
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Self-Timer
2/10-Second Delay
STILL IMAGE CAPTURE
96 MP (12,000 x 8000) *Via In-Camera Pixel-Shift
96 MP (8496 x 5664) *Via In-Camera Pixel-Shift
96 MP (10,656 x 8000) *Via In-Camera Pixel-Shift
96 MP (7552 x 5664) *Via In-Camera Pixel-Shift
96 MP (12,000 x 6736) *Via In-Camera Pixel-Shift
96 MP (8496 x 4784) *Via In-Camera Pixel-Shift
96 MP (8000 x 8000) *Via In-Camera Pixel-Shift
96 MP (5664 x 5664) *Via In-Camera Pixel-Shift
Aspect Ratio
1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File Format
JPEG, Raw
VIDEO CAPTURE
Internal Recording Modes
H.264/H.265/MOV/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97 fps [150 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97 fps [72 to 150 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100/ fps
External Recording Modes
12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
Sensor Crop Modes
Super35 / APS-C
Fast-/Slow-Motion Support
Yes
Gamma Curve
Panasonic V-Gamut, V-Log
Broadcast Output
NTSC/PAL
3840 x 2160 to 1280 x 720 at 25p, 29.97p, 50p, 59.94p (4.0 to 25.00 Mb/s)
Built-In Microphone Type
Stereo
Audio Recording
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio
INTERFACE
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI Output
Audio I/O
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C Data Input/Output (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi (802.11b/g), Wi-Fi 5 (802.11ac), Bluetooth 5.0
App Compatible
Yes: Android & iOS
Functionality: Access Stored Files, Firmware Update, Remote Control
*As of January, 2023: Check with manufacturer for the most up-to-date compatibility Global Positioning (GPS, GLONASS, etc.) None
*As of January, 2023: Check with manufacturer for the most up-to-date compatibility Global Positioning (GPS, GLONASS, etc.)
None
MONITOR
Display Type
Free-Angle Tilting Touchscreen LCD
VIEWFINDER
Type
Built-In Electronic (OLED)
Magnification
Approx. 0.78x
Diopter Adjustment
-4 to +2
FOCUS
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 779
Autofocus Sensitivity
-6 to +18 EV
FLASH
Flash Modes
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye
Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Hot Shoe
ENVIRONMENTAL
Operating Temperature
32 to 104°F / 0 to 40°C
Operating Humidity
10 to 80%
GENERAL
Battery Type
1 x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Accessory Mount
1 x Hot Shoe Mount on Camera Body
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions)
Weight
1.45 lb / 658 g (Body Only)
1.64 lb / 744 g (With Recording Media)
PANASONIC LUMIX S 20-60MM F/3.5-5.6 LENS SPECS
Maximum Aperture
f/3.5 to 5.6
Lens Format Coverage
Full-Frame
Minimum Focus Distance
5.91" / 15 cm
Maximum Magnification
0.43x
Optical Design
11 Elements in 9 Groups
Diaphragm Blades
9, Rounded
Filter Size
67 mm (Front)
Dimensions (ø x L)
3.05 x 3.43" / 77.4 x 87.2 mm
Length at Maximum Extension
4.71" / 119.7 mm
PACKAGING INFO
Box Dimensions (LxWxH)
9.8 x 4.5 x 4.5"