Galaxy 32 Synergy Core is а multi-channel audio interface and high-end AD/DA converter for professional recording studios and high-profile production facilities. The interface builds upon Antelope Audio’s award-winning Orion 32 line - bringing 32 channels of analog I/O, industry-standard HDX, Thunderbolt and Dante digital connectivity, and Synergy Core processing to a 1U rack-mountable chassis. Along with the comprehensive I/O, the Galaxy 32 Synergy Core features high-resolution conversion and 64-bit AFC™ clocking so your recording system can sound better than ever.
- Comprehensive surround and immersive monitoring control and speaker calibration, up to 16 channels. Dolby Atmos-ready up to 9.1.6
- High-fidelity conversion for detailed sound when recording and streaming audio, and 64-bit AFC™ clocking technology delivering spacious stereo image with distinct separation;
- 32 I/O channels over 8 DC-coupled D-Sub 25 connectors, 64 I/O channels of optical MADI, and 8 I/O channels of ADAT;
- 64 I/O channels in any popular DAW over Thunderbolt 3 port, 64 I/O channels in Pro Tools over two HDX ports, and up to 64 I/O channels over Dante with primary port and a mirrored secondary port for redundancy;
- Simultaneous use of all digital ports for easy integration with multiple systems and different setups;
- 37 Synergy Core analog-modeled effects included and over 30 available as optional expansions. Processed in real-time with imperceptible latency;
- Virtual patch-bay allows execution of complicated input/output signal routing with a simple drag and drop.
A New Level of Immersion
With comprehensive surround and immersive monitoring control and speaker calibration functionality for up to 16 channels or 9.1.6 Dolby Atmos, the Galaxy 32 Synergy Core is the perfect interface for any surround or immersive audio setup.
With 23 preset formats and more configurable via the onboard routing, the Galaxy can effortlessly slot into any workflow. From studio use such as music mixing, film, TV, game or VR audio production, to multi-channel speaker array sound systems for venue PA use, theater, performance spaces, art installations and others, the Galaxy is ready for the future of audio regardless of your setup.
Unrivaled Audio Performance
Experience a new level of detail in your recordings and enjoy wider soundstage for an exceptional stereo image in audio playback. The transparent mastering-grade converters with up to 130dB of headroom and that same 64-bit AFC™ clocking technology from Antelope Audio’s legendary master clocks, go hand in hand to deliver unrivaled audio performance for your entire studio.
Refine your Projects with Synergy Core Processing
The effects coming with Synergy Core are modeled after iconic studio equipment and can be applied in real-time during monitoring, post-production, and live recording. The exclusive compressors, EQs and preamps, are processed with near zero latency entirely inside the interface, putting zero load on your host CPU. The onboard Synergy Core contains the processing power of a complex multi-rack setup which enables you to load up to 128 instances of your favorite signal processors in a single session. Need a console bus compressor on the entire drum kit, or a mastering EQ on your mix bus? You got it.
At any time, you can expand your collection by purchasing more analog-modeled effects such as Grove Hill's Liverpool, and 3rd party effects like Antares’ Auto-Tune.
Seamless Integration, Extensive I/O
The 1U box fits perfectly in high-end audio installations that need to transfer audio over long distance or are simply short on rack space but need to track all audio simultaneously. The versatile interface fuses multiple devices into one by combining a converter, digital patch bay, Dante system and MADI, HDX and Thunderbolt 3 interface.
Dozens of external preamps and signals can be fed in and out of the interface via the eight D-Sub 25 connectors and digital expansion is available through the optical MADI, ADAT, and S/PDIF ports.
Large Sessions and Efficient Workflow
Input and output channels are no longer a scarce resource with the Galaxy 32 Synergy Core. Unlike modular systems, all I/O is available at any time and can be used simultaneously without the need to exchange boards or change setups, making it easy to work on multiple sessions. Thanks to Antelope Audio's unique FPGA programming your HD or HDX rig can now maintain 64 I/O channels in Pro Tools, even at 192kHz.
Features That Make Record-Making Easier
The digital routing of the Galaxy 32 Synergy Core is an entire virtual patch-bay that will help you quickly sort all the channels going in and out of the interface. For maximum ease, a simple drag and drop function and color-coded labeling help you save time during the set-up process. Apart from the intuitive routing, the software control panel allows you to run DAW playback channels through effects, create presets, quickly configure mixes and more.
List of included synergy core effects
Equalizers
- VEQ-55A - 3-Band EQ / HPF / LPF
- VEQ-4K BLACK - 4-Band EQ / HPF / LPF
- VEQ-4K BROWN - 4-Band EQ / HPF / LPF
- VEQ-4K ORANGE - 4-Band EQ / HPF / LPF
- VEQ-4K PINK - 4-Band EQ / HPF / LPF
- VEQ-HA32C - 4-Band EQ / HPF / LPF
- VEQ-STU 900 - 4-Band EQ / HPF / LPF
- NEU-W492 - 4-Band EQ
- VMEQ-5 - 3-Band Tube Mid-Range EQ
- BAE-1084 - 3-Band EQ / HPF / LPF
- VEQ-STU 089 - 3-Band EQ / HPF / LPF
- BAE-1023 - 3-Band EQ / HPF
- VEQ-1A - 2-Band Tube EQ
- VEQ-HLF - Tube 2-Band HPF / LPF
- VEQ-STU 169 - 3-Band EQ / HPF
- NEU-PEV - 3-Band EQ
- NEU-W495 - 3-Band EQ
- Clear Q - Parametric EQ
Compressors & Limiters
- VCA160 - VCA Compressor / Limiter
- X903 - VCA Compressor / Limiter
- ALT-436C - Vari-Mu Tube Compressor Amplifier
- Tube 176 - Vari-Mu Tube Compressor / Limiter
- Stay-Levin - Vari-Mu Tube Compressor
- SMT-100A - Tube Leveling Amplifier / Limiter
- FET-A78 - FET Compress Stereo Peak Limiter
- FET-A76 - FET Compressor / Limiting Amplifier
- BAE 10DCF - Compressor / Limiter
- PowerEX - Expander
- PowerFFC - Feed-Forward Compressor
- PowerGate - Noise Gate
Preamps & Channel Strips
- BA-31 - Germanium Mic Preamp
- Gyraf Gyratec IX - Dual Tube Mic Preamp with HPF
Special Processing FX
- Marble White AutoWah - Auto-Wah Pedal
- Vari-Speed Tremolo - Tremolo
- Auraverb - Reverb
- Master De-Esser – De-Esser
- A-Tuner – Guitar Tuner
Features
Connectivity
- 32 analog input channels over 4 × D-Sub 25 connectors with AC/DC coupling switch (TASCAM standard);
- 32 analog output channels over 4 × DC-coupled D-Sub 25 connectors (TASCAM standard);
- Dante™ audio over IP with primary port for audio transfer over long distances and a mirrored secondary port for redundancy;
- 2 × HDX ports (24-bit, 192kHz): up to 64 channels I/O for Pro Tools HD / HDX integration;
- Thunderbolt™ 3 port with custom macOS & Windows drivers for low latency performance in native DAW applications;
- Digital I/O: 64 channels of optical MADI, 8 channels of ADAT, and 2 channels over S/PDIF;
- Clocking I/O: 1 × word clock/loop sync input, 2 × word clock/loop sync outputs, 1 × 10М input;
- 1 × Dedicated stereo monitor output over ¼ TRS.
Clocking & conversion
- Proprietary 64-bit AFC™ (Acoustically Focused Clocking) technology delivering spacious stereo image with distinct separation for an unrivalled level of detail;
- High-resolution A/D and D/A conversion ensuring artefact-free recordings and mastering-grade converter with 130dB headroom for critical listening without coloration or signal degradation.
Real-time effects processing
- Collection of 37 Synergy Core effects modeled after classic and rare analog outboard gear;
- Synergy Core proprietary onboard platform powered by 6 × DSP & 2 × FPGA chips for real-time effects processing with imperceptible latency;
- Up to 128 real-time effects instances per session loaded simultaneously.
Included Synergy Core effects
- 18 Equalizers (incl. BAE-1023, VEQ-STU 089, VEQ-4K BLACK & More)
- 12 Compressors & Limiters (incl. Stay-Levin, FET-A76, BAE 10DCF & More)
- 2 Preamps & Channel Strips (incl. BA-31, Gyraf Gyratec IX)
- 5 Special Processing Effects (incl. Marble White AutoWah, Vari-Speed Tremolo, Master De-Esser, Auraverb, A-Tuner)
Workflow-enhancing features
- Virtual patch-bay allowing execution of complicated input/output signal routing with a simple drag and drop;
- All digital ports can be used simultaneously for easy integration with multiple systems and different setups;
- 4 x onboard low-latency stereo mixers with 32 input channels each, with adjustable levels, panning and reverb settings - suitable for monitoring or summing;
- Customizable presets complete with signal routing, level adjustments, mixer settings and effects;
- Direct monitoring with effects, processed in real-time with imperceptible latency;
- Two 1.8" IPS display screens for independent signal metering;
- Option to work without being connected to a computer (standalone operation);
- Wireless control of software features from a separate computer connected to the same network.
Dimensions
Device:
W: 48,3 cm (19 in); D: 27,9 cm (11 in); H: 4,4 cm (1,73 in); 3,4 kg (7,5 lbs)
Box:
W: 63,6 cm (25 in); D: 34 cm (13,4 in); H: 11 cm (4,3 in); 5 kg (11 lbs)
In-the-box Content
- Galaxy 32 Synergy Core
- Power cable
- Power adapter
- Getting Started guide
Note: The device does not come with a Thunderbolt cable included
The exciting new functionality is accessible via a dedicated tab of the Galaxy 32 Synergy Core’s software control panel. It provides monitoring control functionality and speaker calibration processing
Formats from stereo up to 9.1.6 Dolby Atmos are supported, while maintaining customizability within the 16-channel limit for any unorthodox setup requirements.
for up to 16 channels of surround or immersive audio.
PRELIMINARY SETUP
In order to access the speaker management processing, up to 16
channels can be routed into the “Surround In” channels via the
routing tab. These can be any signals inputted into the
interface - analog, digital or computer playback channels.
The processed signals are outputted via the "Surround Out"
channels, which can be routed to any analog or digital output, or
even a combination of such. These routing capabilities allow for full
flexibility when integrating the processing into any setup.
SETTINGS & FEATURES
FORMAT SELECTOR PATH ORDER SELECTOR
Select your preferred format from the list of readily available ones or configure custom signal routing via the tab’s inputs in the routing matrix. Formats here are grouped together based on channel count, so in some cases one option can contain multiple formats (e.g., 4.0 contains QUAD and LRCS). They are available via the path order selector, explained below.
After selecting a format, different channel orders are available for the relevant speaker layout, also known as path orders. Complete list of readily available ones below, and to note again, any channel order within the 16-channel limit can be achieved via the routing matrix tab.
PRE-CONFIGURED FORMATS AND PATH ORDERS
SPEAKER LAYOUT AND SELECTOR
Selected format and channel order is visualized here, allowing control over each speaker’s settings by left clicking it. Each channel routed via the routing tab is allocated a speaker and labeled according to the selected path order. Customized path orders are possible when routing the processed output channels. The following functionality is available for monitoring controls:
- Alt + left click mutes target speaker
- Cmnd (Ctrl on PC) + left click solos target speaker • Cmnd (Ctrl on PC) + Shift + left click adds a speaker to the soloed group
- Cmnd or Alt + left click on the blank background removes all mutes
METERING
Peak meters for each channel of the selected format, with color-coding and labeling, along with pre- and post-processing switch. The Monitors tab can be viewed independently of the Surround tab, which helps keeping an eye on the meters while using other functionality. The bypass button here acts as a global bypass for the surround tab’s processing.
SURROUND GLOBAL (LIP-SYNC) DELAY TOTAL DELAY BYPASS
Offsets all the processed channels by up to 100ms, useful for syncing the audio to picture (lip sync delay). Bypass button switches on/off the global delay.
*The inherent system latency of 0.6ms is displayed as the minimum global delay value.
BYPASS EQ
Bypasses all equalization processing for the surround channels.
Bypasses both the global and per-channel delays.
SURROUND LEVEL
Main output level affecting all channels, along with dim and mute monitoring functions. Bypass here toggles off the entire processing except for level adjustments, both global and per-channel.
SPEAKER SETTINGS
Provides access to the selected speaker
channel’s settings.
- Full name of the selected channel/speaker.
- Bypass button for all of the channel’s pro
cessing, excluding the level setting.
Channel EQ reset, copy and paste
settings buttons.
-
Level setting in dB - hold down Cmnd (Ctrl on Windows) for fine 0.1 dB steps. • Total gain - sum read-out of the channel’s level setting and the main output level.
- Delay - Time offset of the channel in
milliseconds (up to 100ms). Holding
down Cmnd (Ctrl on Windows) enables
offsetting by 0.1ms steps.
- Total delay - sum read-out of the
channel’s delay value and the global
delay.
*The inherent system latency of 0.6ms is
displayed as the minimum total delay value
readout.
CHANNEL EQ GRAPH AND SETTINGS
8-band parametric EQ with cut and shelf filters available for the low and high bands, and bell filters available for all bands. Adjustable graph amplitude range, when hovering over the minimum and maximum values to the left of the graph. Color coded graph visualization of the selected channel’s frequency calibration. Four separate graphs are available as follows:
- channel output (coral orange - L, C, R; green - surround speakers; blue – overhead speakers) - represents the signal being sent to the output.
- channel EQ settings graph (teal) - represents the currently dialed EQ settings.
- LFE split signal (purple) - represents the signal split and sent to the LFE channel via its bass management crossover mixer. The graph shows the low-pass filter applied to the channel.
- crossover high-pass filter graph (yellow) - represents the high-pass filter settings applied to the channel, also available via the LFE’s mixer window.
- Crossover settings - bass management settings, explained in detail further below.This section provides some of the channel’s High-pass crossover filter settings.
LFE CHANNEL AND BASS MANAGEMENT CROSSOVER FILTER SETTINGS
With the LFE channel selected, the crossover settings appear
above the EQ graph. Also, the crossover filter settings switch
to the low-pass filter of the LFE channel instead.
- LFE CROSSOVER – Opens the bass
management mixer window (explained below).
- CROSSOVER ON/OFF – Enables/disables all
crossover filters.
‘LFE CROSSOVER’ MIXER
The above mixer is available via the LFE channel settings (LFE
CROSSOVER button). It provides all bass management settings
allowing monitoring low frequency content of the surround/overhead
channels via the LFE channel. Each channel is labeled and color
coded according to the selected format and path order.
HIGH PASS AND LOW PASS FILTERS’ SETTINGS
- Cutoff frequency for each channel, with setting linking available.
- Filter type switch for each channel, choice between Linkwitz-Riley
and Butterworth filters, with linking.
- Filter order settings available providing second, fourth and eighth
order filters (12dB, 24dB, 48dB per octave respectively), with
linking.
- Filter bypass for each channel, with linking.
MIXER SETTINGS LFE CHANNEL SETTINGS
- Low-passed signal level to-LFE, via faders for each channel, with linking (+6 to -60dB range).
- Mute and solo functionality available for each channel. • Meters per channel, displaying peak value of the low-passed signals.
ADDITIONAL NOTES
- The settings menu of the control panel contains a “Surround EQ” setting, allowing for switching between pre- or post-crossover filter equalization for the speaker channel 8-band EQs.
- For setups that include more than one subwoofer (e.g., 9.3.6), sending the LFE output channel to multiple outputs in parallel is easily achieved via the routing matrix.
- Chaining channels for additional delay time is possible, if the allocated 100ms per channel are not enough. Of course, this would mean sacrificing one of the 16 available channels.
Control over the following settings of the LFE’s low pass filter:
- Cutoff frequency.
- Filter type switch, choice between Linkwitz-Riley and Butterworth filters.
- Filter order (2nd, 4th, 8th).
- Filter bypass.
- Level meter for the LFE output signal.
- Mute and solo functionality.
Technical Specifications
AD Line Input:
Input Connection:
|
4 x D-sub 25-pin (Tascam Standard)
|
I/O Channel Count
|
32 Channels
|
Input level trim
|
12 dBu to 22 dBu in steps of 1 dB
|
Dynamic Range
|
122 dB
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
THD+N (A)
|
-116 dB
|
Impedance Load
|
11.2 kOhms
|
DA Line Output:
Output Connection:
|
4 x DC-coupled D-sub-25-pin (Tascam Standard)
|
I/O Channel Count
|
32 Channels
|
Output level
|
-inf to 22dBu // 1 dB step
|
Dynamic Range
|
128 dB
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
THD+N (A)
|
-115 dB
|
Impedance Load
|
56 Ohms
|
DA Monitor Output:
Output Connection:
|
2 x 1/4” 6.35 mm Jack (3 pin)
|
Chanel Count
|
2 Channels
|
Output level
|
-inf to 22dBu // 1 dB step
|
Dynamic Range
|
130 dB
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
THD+N (A)
|
-115 dB
|
Impedance Load
|
56 Ohms
|
Digital Interface – Thunderbolt:
Interface Connection:
|
1 x Thunderbolt 3 Port, I/O
|
I/O Channel Count
|
64 Channels
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
Control Panel Support
|
Supported
|
Digital Interface - Dante:
Interface Connection:
|
2 x RJ-45 Ports, I/O
|
I/O Channel Count
|
64 Channels (@44.1/48.0 kHz)
|
Connectivity
|
Primary and Redundant
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
Digital Interface - HDX:
Interface Connection:
|
2 x HDX Ports, I/O
|
I/O Channel Count
|
64 Channels (32 Per Port)
|
Primary/Secondary ports
|
2 Primary
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit PCM
|
Delay Compensation
|
Supported
|
Manual Delay Compensation
|
Supported (up to 128 samples)
|
Session I/O Support
|
Yes (16x16)
|
Digital Interface - MADI:
Interface Connection:
|
2 x Optical SC Connectors
|
MADI Mode
|
Dual Wire, Optical
|
SMUX
|
Supported
|
Madi Protocol
|
AES10-2003
|
I/O Channel Count
|
64 Channels @44.1/48.0 kHz
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
Digital Interface - S/PDIF:
Interface Connection:
|
2 x RCA Connectors
|
SPDIF SRC
|
Not Supported
|
I/O Channel Count
|
2 Channels
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
Digital Interface - ADAT
Interface Connection:
|
2 x Optical
|
SMUX MODE
|
Supported
|
I/O Channel Count
|
8 Channels In
8 Channels Out
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
Clocking System
Clocking Technology
|
4th Generation Acoustically Focused Clocking
64-Bit Jitter Management DDS
|
Word Clock/Loop-Sync Input
|
1 x Input @ 75 Ohms 3Vpp on BNC
|
Word Clock/Loop-Sync Output
|
2 x Output @ 75 Ohms 3Vpp on BNC
|
10M Atomic Reference Input
|
1 x Input @ 75 Ohms 1Vpp on BNC
|
Clock Stability
Clock Aging
Clock Calibration
|
<+/-0.02 ppm.
< 1 ppm per year
<+/-0.001 ppm
|
Supported sample rates
|
44.1 kHz—192 kHz, 24-bit
|
Display Screens
Display Count
|
2
|
Display Type
|
IPS
|
Resolution
|
320x240
|
Dimensions
|
1.8”
|
Others
Operational Temperature
|
0-50°C/32-122°F
|
Electrical Specs
|
40 Watts
|
Weight
|
3.4 kg/ 7.49 lbs
|
Dimensions
|
W482.6
D279
H44
|