The multi-channel box allows you to connect all your gear into an 1U rack-mountable chassis. Aside from taking on the role of a patch bay, the interface handles all routing, recording, and monitoring and allows you to easily interconnect multiple rooms. Placing the Galaxy 32 Synergy Core as the hub of your setup means less complexity and pristine conversion for all connected gear.
Embrace the future of audio production
A complete Atmos-ready surround and immersive audio monitoring system is supported by the interface, compatible with over 23 audio formats from stereo to Dolby Atmos 9.1.6. It offers precise speaker and room calibration tools as well as intuitive monitoring controls and fast preset recall functionality, designed to increase productivity.
Transfer audio easily with Dante
The interface utilizes Dante to seamlessly fit into your existing audio-over-IP network, or as the foundation of your very first network for digital audio transfer. With Galaxy 32 Synergy Core as the hub of your interconnected system you have 64 channels of audio via Dante as well as the entire I/O of the device available at all times. Simply connect a LAN Ethernet cable and your entire facility becomes a beneficiary of the interface’s features and conversion. A secondary, mirrored port is also available for redundancy.
Superior Pro Tools HDX integration
Galaxy 32 Synergy Core integrates seamlessly with Pro Tools through two HDX ports and allows you to maintain 64 I/O channels even at 192kHz, thanks to a unique FPGA configuration. That means, you will no longer need to stack up additional hardware to record and mix so many channels at such a high sample rate. Combined with HD Native or HDX’s low latency monitoring and delay compensation for hardware inserts, the Galaxy 32 Synergy Core’s extensive connectivity and pristine conversion make your Pro Tools system as formidable as it gets.
Unrivaled sound for your entire studio
With Galaxy 32 Synergy Core you can capture your recordings with flawless precision and no coloration, and monitor your mix with mastering-grade quality. Utilizing the same 64-bit AFC™ clocking from high-end master clocks like the Isochrone Trinity guarantees the quality of the AD/DA conversion, which over the years has proven irreplaceable for some of the most acclaimed studios in the world. This makes the interface the essential source of true sound every professional audio engineer needs.
Total control
The control panel is your tool to get things done efficiently with features like drag and drop routing, simultaneous use of all digital ports, and direct low latency monitoring with onboard effects. It is all accessible via the control panel in an easy‑to‑navigate, customizable layout. Every functionality and feature of the interface works in unison to make your workflow better.
Features
- Virtual patch-bay
- Simultaneous use of all digital ports
- Onboard low latency mixers
- Low latency direct monitoring
- Standalone operation
- Customizable presets
Specifications
| Channels of I/O |
Analog:
32 Inputs / 32 Outputs Dante: 64 Inputs / 64 Outputs at 44.1/48 kHz DigiLink: 64 Inputs / 64 Outputs at 192 kHz Thunderbolt: 64 Inputs / 64 Outputs |
| Maximum Sampling Rate |
192 kHz / 24-Bit
|
| Number of Microphone Inputs |
No
|
| Analog Audio I/O |
4x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout)
4x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout) 2x 1/4" TRS Balanced Monitor Output |
| Digital Audio I/O |
1x SC-Plug Optical MADI Input (Dual-Wire, S/MUX Support)
1x SC-Plug Optical MADI Output (Dual-Wire, S/MUX Support) 1x TOSLINK Optical ADAT Input (S/MUX Support) 1x TOSLINK Optical ADAT Output (S/MUX Support) 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
| Host Connection |
1x USB-C
2x DigiLink Mini |
| OS Compatibility |
macOS
Windows |
| Power Requirements |
AC/DC Power Adapter (Included)
|
| Channels of I/O |
Analog:
32 Inputs / 32 Outputs Dante: 64 Inputs / 64 Outputs at 44.1/48 kHz DigiLink: 64 Inputs / 64 Outputs at 192 kHz Thunderbolt: 64 Inputs / 64 Outputs |
| Maximum Sampling Rate |
192 kHz / 24-Bit
|
| Number of Microphone Inputs |
No
|
| Pad |
No
|
| Gain/Trim Range |
DB-25 Line Inputs:
+12 dBu to +22 dBu (in 1 dB Steps) DB-25 Line Outputs: -∞ to +22 dBu (in 1 dB Steps) 1/4" Monitor Outputs: -∞ to +22 dBu (in 1 dB Steps) |
| High-Pass Filter |
No
|
| Solo/Mute |
No
|
| Analog Audio I/O |
4x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout)
4x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout) 2x 1/4" TRS Balanced Monitor Output |
| Phantom Power |
No
|
| Digital Audio I/O |
1x SC-Plug Optical MADI Input (Dual-Wire, S/MUX Support)
1x SC-Plug Optical MADI Output (Dual-Wire, S/MUX Support) 1x TOSLINK Optical ADAT Input (S/MUX Support) 1x TOSLINK Optical ADAT Output (S/MUX Support) 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
| Host Connection |
1x USB-C
2x DigiLink Mini |
| Host Connection Protocol |
Thunderbolt 3
Avid Proprietary |
| USB (Non-Host) |
No
|
| Sync I/O |
1x BNC Atomic Clock Input
1x BNC Word Clock Input 2x BNC Word Clock Output |
| Network I/O |
2x RJ45 Dante
|
| MIDI I/O |
No
|
| Expansion Slots |
No
|
| Impedance |
DB-25 Line Inputs:
11.2 Kilohms (Balanced) DB-25 Line Outputs: 56 Ohms (Balanced) 1/4" Monitor Outputs: 56 Ohms |
| Dynamic Range |
DB-25 Line Inputs:
122 dB DB-25 Line Outputs: 128 dB 1/4" Monitor Outputs: 130 dB |
| THD+N |
DB-25 Line Inputs:
-116 dB (A-Weighted) DB-25 Line Outputs: -115 dB (A-Weighted) 1/4" Monitor Outputs: -115 dB (A-Weighted) |
| Sample Rates |
Up to 192 kHz
|
| Sample Rate Conversion |
No
|
| Bit Depths |
Up to 24-Bit
|
| Sync Sources |
ADAT, Atomic Clock, Dante, Internal, MADI, S/PDIF, Word Clock
|
| Clocking |
Word Clock:
Input Termination: 75 Ohms Input Voltage: 3 V p-p Output Voltage: 3 V p-p Atomic Clock: Input Termination: 75 Ohms Input Voltage: 1 V p-p |
| Media/Memory Card Slot |
No
|
| OS Compatibility |
macOS / Windows
|
| OS Compatibility |
macOS
Windows |
| Mobile Device Compatibility |
No
|
| Required Hardware |
Available DigiLink Mini Port, Ethernet Port, or Thunderbolt 3 Port
Thunderbolt 3 Cable (Not Included) |
| Power Requirements |
AC/DC Power Adapter (Included)
|
| AC/DC Power Adapter |
18 VDC (Included)
|
| Power Consumption |
40 W
|
| Rackmount Size |
1 RU (with Included Hardware)
|
| Operating Conditions |
32 to 122°F / 0 to 50°C
|
| Dimensions |
19 x 11 x 1.7" / 48.3 x 27.9 x 4.4 cm
|
| Weight |
7.5 lb / 3.4 kg
|
| Package Weight |
11.73 lb
|
| Box Dimensions (LxWxH) |
25 x 13.5 x 4.3"
|
FREE Antelope MRC Multichannel Remote Controller
Take control of your Galaxy 32 Synergy Core with the Antelope Audio MRC, an advanced multichannel remote controller that provides a tactile hardware extension to Antelope's acclaimed surround sound and immersive audio monitoring system. The controller's layout features fast reset recall and streamlined multichannel functionality, which mirrors all major controls of the system for a smooth and intuitive workflow.
The MRC supports over 23 audio formats, from stereo to Dolby Atmos 9.1.6. The controller offers intuitive controls and a color-coded layout, while precise speaker and room calibration tools such as per channel 8-band EQ and delay offset provide professional results. The MRC controller enhances the system with streamlined and tactile controls, making it the key to effortless advanced monitoring.
- Designed for Galaxy 32 Synergy Core
- Tactile and straightforward monitoring workflow
- Seamless support for over 23 formats from stereo to 9.1.6 Dolby Atmos
- Flexible 5-preset recall system at your fingertips
