Designed for professionals that push boundaries with the quality of their videos, this 7-inch monitor-recorder-switcher enhances the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun Classic is the ultimate all-rounder production tool.
Shogun Classic gives you the high production values of 4K HDR, and complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured and view it in glorious 10-bit HDR.
Fine tune every detail, while you shoot
A high-quality viewing experience gives you complete confidence to make educated on-set decisions.
With Shogun Classic’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. Shogun Classic gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.
Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.
7-inch HDR pro / cinema monitor-recorder-switcher
Designed for professionals that push boundaries with the quality of their videos, this 7-inch monitor-recorder-switcher enhances the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun Classic is the ultimate all-rounder production tool.
Shogun Classic gives you the high production values of 4K HDR, and complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured and view it in glorious 10-bit HDR.
Features at a glance
3000nit HDR screen
Zone backlight provides exceptional detail, color, and contrast.
Real-time 4K recording
In ProRes, Cinema DNG, and Avid DNx formats
High performance HDR
Preview your images in glorious 10-bit HDR
4 x SDI input
For seamless transitions between live video streams
4 x ISO recording
For individual input control and post-production flexibility
XLR audio
2-channel XLR Input and output
HDR & SDR
Perfect exposure and color
Fine tune every detail, while you shoot
A high-quality viewing experience gives you complete confidence to make educated on-set decisions.
With Shogun Classic’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. Shogun Classic gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.
Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.
Multi-camera touchscreen switching
Take full advantage of 4 x SDI inputs and let Shogun Classic step into the role of a portable, quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen.
Shogun Classic can also record a fifth ‘program’ channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.
At home on practically any camera
Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.
HDR monitoring for clients and creatives
With Shogun Classic you can view what you’ve captured before filming has even wrapped. Deliver content via live HDMI out, in real-time, from any HDR camera to a compatible HDR TV or monitor. Shogun Classic ensures you see an accurate representation of your video at maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing, but also speeds up the finishing process.
Features
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3000nit HDR screen Zone backlight provides exceptional detail, color, and contrast.
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Real-time 4K recording In ProRes, Cinema DNG, and Avid DNx formats
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High performance HDR Preview your images in glorious 10-bit HDR
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4 x ISO recording For individual input control and post-production flexibility
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4 x SDI input For seamless transitions between live video streams
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XLR audio 2-channel XLR Input and output
Specifications
- Physical
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Dimensions (W x H x D mm) - 214mm x 127mm x 45mm / 8.43” x 5.00” x 1.77”
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Weight - 738g / 26oz
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Mounting Points - 1/4”-20 screw mount. 1x top and 1x bottom
- Environmental
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Ambient operating temperature - Up to 40 Degrees Celsius
- Construction
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Body - Glass fiber reinforced polycarbonate
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Cooling - Heat Sink + Actively controlled Fan
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Touch Screen - Capacitive Touch
- Power
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Input Voltage - 6.2V to 16.8V
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Compatible Batteries - 2x NP-F / L-Series batteries and supporting accessories
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DC in Connector - 1 x DC in (6.2 - 16.8V)
- Display
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Display Panel - IPS panel (capacitive touch)
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Size - 7.2"
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Resolution - 1920 x 1200 (1920 x 1080 Image Display)
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PPI - 325
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Bit Depth - 10-Bit (8+2 FRC)
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Backlight Type - Zone Backlight (Full-Array Local Dimming)
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Brightness (cd/m² / nits) - 3000nit (+/- 10%)
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Aspect ratio - 16:10 native resolution 1920 x 1200
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Color Gamut - Up to Wide color gamut (105% DCI-P3)
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Calibration Support - ATOMOS Calibrator with Display Pro HL and Display Plus HL
- Color Pipeline
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Gamma - Sony SLog/SLog2/SLog3, Canon CLog/CLog2/CLog3, ARRI Log CEI160/Log CEI200/Log CEI250/Log CEI320/Log CEI400/Log CEI500/Log CEI640/Log CEI800/Log CEI1000/Log CEI1280/Log CEI1600, Panasonic Vlog, JVC JLog1, RED Log3G10/RED LogFilm, FujiFilm F-log, Nikon N-Log, PQ10k, HLG
- Gamut - Sony SGamut/SGamut3/SGamut3.cine, Canon Cinema/DCI P3/DCI P3+, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709/BT.2020, JVC, RED WideGamut/RED DragonColor/DragonColor2/RED Color2/RED Color3/RED Color4
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3D LUT Display - 3D LUT (.cube format)
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Monitoring Modes - Native / 709 / HLG / PQ / 3D LUT
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HDR Output Conversion - Camera Log to HLG / PQ
- Color Management
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Calibration - ATOMOS Calibrator with Display Pro HL and Display Plus HL
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AtomHDR - Yes
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3D LUTs - Yes
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Legalize - Full to Legal Range Conversion available via Input Menu
- Video Input
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HDMI - HDMI 1 x HDMI (2.0)
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SDI - Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2 x 12G Single Link SDI
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Bit Depth - 8/10-Bit for Video
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Video Chroma Subsampling - YCbCr 4:2:0 & 4:2:2
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HDR - HDMI Auto Detection
- Video Output
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HDMI - 1 x HDMI (2.0)
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SDI Loop / Play Out - Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2 x 12G Single Link SDI
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HDR - Yes with auto detection
- Video Signal Conversion
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HDMI to SDI - Supported
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SDI to HDMI - Supported
- Audio In/Out
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Audio Quality - 24-Bit / 48kHz
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Audio Codec - PCM
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HDMI - 2 or 8ch 24-Bit, Input dependent
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SDI - 12ch 48kHz 24-Bit
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Analog Audio In - Via optional 2 in 2 out XLR cable
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Analogue Audio Out / Headphone Jack - 3.5mm Jack
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Audio Input Delay - Frame Delay on Analog Input (applied to recorded files)
- Timecode / Sync
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HDMI Embedded - Supported
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SDI Embedded - Supported
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Time of Day - Supported
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LTC - via full-sized BNC SYNC Port
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Wireless SYNC - Connect an Atomos UltraSync One to the full-sized BNC SYNC Port
- Resolution and Frame Rates (Record, Monitor & Playback)
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4K DCI - up to 4Kp60
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4K UHD - up to UHDp60 via HDMI and SDI
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2K DCI 2048 x 1080 - up to 2Kp60 via SDI
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FHD 1920 x 1080 Progressive - up to 1080p120 via SDI
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FHD 1920 x 1080 PsF - Only via Pulldown to Progressive
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FHD 1920 x 1080 Interlaced - 1080i50 / 1080i60 via HDMI or SDI
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1280 x 720p - up to 720p60
- Recording Codecs
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Apple ProRes - HQ, 422, LT
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Avid DNxHD - 220x, 220, 145, 36 (.MOV Wrapper)
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Avid DNxHR - HQX, HQ, SQ, LB (.MOV Wrapper)
- Recording Functions
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Pre-roll Recording - 8s HD / 4K 2s
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Timelapse - Supported
- Playback
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Playlist - Selected Clips, Favorites, or Combined
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Loop - Supported, with user-customizable In / Out Markers
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Apple ProRes - HQ, 422, LT (Linear PCM Audio only)
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Avid DNx - DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
- Supported Media
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Master Caddy I - Not Supported
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Master Caddy II - Supported
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Master Caddy III - Supported
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SSDmini - Supported
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File System - exFAT
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Interface - SATA 3.0
- On-Screen Tools
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Waveform - 3 Sizes – Adjustable Opacity & Brightness
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RGB Parade - 3 Sizes – Adjustable Opacity & Brightness
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Vector Scope - 2 Sizes – Adjustable Opacity & Brightness
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1 x Zoom - Tap to Zoom
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2 x Zoom - Tap to Zoom
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Focus Peaking - 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
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Zebra - Adjustable Threshold (50% to 105%)
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Isolate Color Channel - Blue Only
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Cine Frame Guides - 6 Presets
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Social Frame Guides - 4 Presets
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Safe Areas - SMPTE Safe Title Area – 93% & 90%
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Grid Markers - 9 Grid
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Anamorphic Desqueeze - 2x, 1.8x, 1.6x, 1.5x, 1.33x, 1.25x
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Display Flip - Vertical
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Colorized Exposure - Atomos False Color
- Onboard Signal Processing
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4K UHD Downscale for HD - Loop-out and playback
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DCI Crop - Available on loop out
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Interlaced to Progressive - 2:2 & 3:2 Pulldown
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PsF to Progressive - 2:2 & 3:2 Pulldown
- Remote Control
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HDMI - Auto HDMI Trigger Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard
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SDI - SDI trigger camera selectable
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Serial 2.5mm Jack - Start & Stop Recording via compatible LANC Remotes
- Cut & Tag
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FCP XML - Up to 10 Tags supported for each Clip
- Supported Applications
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XML - Apple Final Cut Pro (.fcpxml)
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Video Codecs - All NLE applications that support Apple ProRes and Avid DNx in an .MOV Wrapper